Installation Shots
Photos/Video © James Allyn 2022 StellarCreativePartners.com
Installation Shots
Photos/Video © James Allyn 2022 StellarCreativePartners.com
Artworks
Nancy Baker
Infinite Ocean, 2019
Paint on hand and laser cut paper construction
14′ x 9′
Gabe Brown
Firefly, 2022
Oil on linen over wood panel
16″ x 12″
Gabe Brown
Winter Song, 2022
Oil on linen over wood panel
24″ x 18″
Gabe Brown
Drift, 2022
Oil on linen over wood panel
20″ x 16″
Jon Elliott
Untitled, 2022
Acrylic on canvas
51″ x 40″
Jon Elliott
Untitled, 2022
Acrylic on canvas
51″ x 40″
Jon Elliott
Untitled, 2022
Acrylic on canvas
24″ x 20″
Jon Elliott
Untitled, 2022
Acrylic on canvas
24″ x 20″
Jason Clay Lewis
Spoon Full of Sugar, 2021
Acrylic on canvas
6 1/4″ x 6 1/4″
Jason Clay Lewis
Thumbs Up, 2021
Acrylic on canvas
6 1/4″ x 6 1/4″
Jason Clay Lewis
Sold Kiss, 2021
Acrylic on canvas
6 1/4″ x 6 1/4″
Jason Clay Lewis
TV Time, 2021
Acrylic on canvas
6 1/4″ x 6 1/4″
Jason Clay Lewis
Let’s Go, 2021
Acrylic on canvas
6 1/4″ x 6 1/4″
Geoffrey Owen Miller
Untitled, 2022
Hand dyed korean paper, acrylic, oak dowels, metal
36″ x 36″
Geoffrey Owen Miller
Untitled, 2022
Hand dyed korean paper, acrylic, oak dowels, metal
36″ x 36″
Geoffrey Owen Miller
Untitled, 2022
Hand dyed korean paper, acrylic, oak dowels, metal
36″ x 36″
Geoffrey Owen Miller
Untitled, 2022
Hand dyed korean paper, acrylic, oak dowels, metal
36″ x 36″
Elizabeth Riley
Untitled Orange-Yellow #28, 2020
Video stills inkjet-printed on paper, attached together with colored paper brads
23 1/4″ x 28 1/2″
Elizabeth Riley
Untitled Orange-Yellow #30, 2020
Video stills inkjet-printed on paper, attached together with colored paper brads
27 1/2″ x 20″
Elizabeth Riley
Untitled Orange-Yellow #15, 2020
Video stills inkjet-printed on paper, attached together with colored paper brads, pencil
18″ x 20″
Elizabeth Riley
Untitled Orange-Yellow #11, 2020
Video stills inkjet-printed on paper, attached together with colored paper brads, colored pencil
15 1/2″ x 20 1/2″
Jason Rohlf
Disco Ball + Pyramid, 2022
Acrylic / collage on panel
30″ X 22″
Jason Rohlf
Dome + Moth, 2022
Acrylic / collage on panel
30″ X 22″
Jason Rohlf
Crystal Ball + Cupped Hands, 2022
Acrylic / collage on panel
30″ X 22″
Jason Rohlf
Pink Diatom + Mini Submarine, 2022
Acrylic / collage on panel
30″ X 22″
Linda Kamille Schmidt
Junction (side 1 of 2), 2022
Fabric, vinyl, pvc tubes, acrylic strips
60″ x 48″
Linda Kamille Schmidt
Untitled (0683), 2022
Fabric, painted interfacing, acrylic strips
22″ x 20″
Linda Kamille Schmidt
Untitled (0740), 2022
Fabric, painted interfacing, acrlyc strips
22″ x 20″
Suzan Shutan
Square 1, 2022
4 strips wood, acrylic, wire, pom poms Variable 3′ x 3′ x 4″
Square 2, 2022
5 strips wood, acrylic, wire, pom poms Variable 3′ x 3′ x 4″
Square 3, 2022
4 strips wood, acrylic, wire, pom poms Variable 3′ x 3′ x 4″
Suzan Shutan
Square 4, 2022
5 strips wood, acrylic, wire, pom poms
Variable 3′ x 3′ x 4″
Suzan Shutan
Round One, 2022
Wood, acrylic, pom poms, wire
Half Round 4, 2022
Wood, acrylic, coloraid, pom poms, wire
8.75″ x 15″ x 4″
Suzan Shutan
One of Two Squares, 2022
Wood, acrylic, pom poms, wire
7.75″ x 7.75″ x 4″
One of Two Squares, 2022
Wood, acrylic, pom poms, wire
7.75″ x 7.75″ x 4″
Chuck Thomas
Cosmic Debris, 2021
Oil on linen
32″ X 40″
Chuck Thomas
Dragon, 2022
Oil on linen
26″ X 32″
Chuck Thomas
Serpentine, 2022
Oil on linen
76″ X 76″
Chuck Thomas
Landing Point, 2022
Oil on linen
68″ X 82″
Opening Reception: Saturday, June 4th 6-9PM
Exhibition Dates: June 4th – August 28th, 2022
TECHNE
1609 Ord Way
Oceanside, CA 92056
The Royal @ RSOAA in partnership with TECHNE in Oceanside, California is pleased to present Color Continuum, a group exhibition featuring artists Chuck Thomas, Nancy Baker, Gabe Brown, Jon Elliott, Jason Clay Lewis, Geoffrey Owen Miller, Elizabeth Riley, Jason Rohlf, Linda Kamille Schmidt, Suzan Shutan
A continuum of color forms when a beam of white light passes through a prism so that its component wavelengths are arranged in order. A spectrum is a condition that is not limited to a specific set of values but can vary across a continuum. The word was first used scientifically in optics to describe the rainbow of colors in visible light after passing through a prism. As scientific understanding of light advanced, it came to apply to the entire electromagnetic spectrum.